Film Grain
Adds physically-modeled film grain with seven calibrated stock presets and per-channel control over grain size, intensity, and tonal response.
Seven stock presets are calibrated against published datasheets (Kodak Vision3 250D and 500T, Portra 400, Tri-X 400, Cinestill 800T, Fuji Eterna 250, Ilford HP5+). Choosing one overwrites the controls below it. The per-channel sliders follow how real color negatives behave, with the loudest grain on the blue layer.
Grain size is measured at 1080p and scales with image height, so a preset looks the same on a 1080p preview and a 4K export.
New Film Grain nodes start at Seed 1, so two new nodes share a pattern. A Seed of -1 gives each node, and each frame of a batch, its own pattern, derived from the node’s permanent identity, so it survives reopening the document and never matches another node’s. A fixed Seed draws the same grain on every frame of a batch; set the same explicit Seed on two nodes for matching grain.
Parameters
Section titled “Parameters”Pins
Stock
Film stock preset. Any preset other than Custom overwrites the controls below; Custom leaves them as they are
Intensity
Overall grain strength. 0 = no grain, 1 = pronounced, 2 = extreme
Red channel grain weight
Green channel grain weight
Blue channel grain weight. Color negatives have the loudest grain on the blue layer
Grain
Grain particle size in pixels at 1080p:
- Fine 35mm: 0.15-0.25.
- Coarse 400-speed B&W: ~0.4.
Scales with image height so presets look consistent across resolutions.
Red channel relative size multiplier
Green channel relative size multiplier
Blue channel relative size multiplier
Grain chroma. 0 = monochrome (B&W stocks). 1 = full per-channel color grain
Grain clumpiness. 0 = uniform distribution. 1 = clumpier 'old film' look
Response
Grain visibility in shadow tones. Tri-X is shadow-heavy; Vision3 suppresses shadow grain
Grain visibility in midtones
Grain visibility in highlights
Advanced
Random seed for the grain pattern. -1 gives each node and each batch frame its own grain
Apply the grain in linear light.
- On (default): heavier in shadows and lighter in highlights, as real film behaves.
- Off: the same strength across all tones. Predictable but less realistic.
Mask
How the connected color image is read as a mask
How the mask is mapped when it doesn't match the image
Usage Tips
Section titled “Usage Tips”- Pick a stock preset for the look, then tweak from there.
- Lower Saturation toward 0 for monochrome grain on a color image, like a B&W stock.
- Raise Irregularity above 0.5 for vintage Super-8 or hand-processed looks.
- Connect a mask to grain only part of the frame, such as the sky or a face.